Dynastic Times
China:
* Chinese opera
* Yayue
1900s
Hong Kong:
* English popular and western classical music grew with influence.
1910s
Republic of China:
* The dynastic period ends. New China tries to find a .
1920s
Republic of China:
* Shidaiqu started by Li Jinhui.
1930s
Republic of China:
* Shidaiqu grew into C-pop.
Taiwan:
* Japanese enka influence Taiwanese pop for Taiwanese aboriginals.
1940s
People's Republic of China:
* The labeled C-pop as .
* CPC promote .
* Government control of music via censorship begins.
1950s
People's Republic of China:
* Baak Doi leaves China.
Hong Kong:
* C-pop becomes cantopop.
Republic of China / Taiwan:
* C-pop becomes mandopop.
* Native Taiwanese pop phased out by Kuomintang in favor of mandopop.
1960s
Hong Kong:
* English pop faded
* Cantopop grew with Roman Tam as the father of the new genre.
* Popularizing of .
* Popularizing of Hong Kong musical tongue twister.
1970s
ROC Taiwan:
* Teresa Teng expanded mandopop in Taiwan. Beats censorship in the mainland.
People's Republic of China:
* Mao Zedong and CPC evolved patriotic music into .
1980s
People's Republic of China:
* led to the popularizing of Northwest Wind.
* Northwest wind became .
1990s
People's Republic of China:
* Prison song became Chinese rock with Cui Jian as the father of the new genre.
* China imports gangtai culture.
Hong Kong SAR:
* Karaoke culture begins.
ROC Taiwan
* Taiwanese pop re-emergence.
2000s
People's Republic of China:
* Punk rock begins in China.
Hong Kong SAR and ROC Taiwan
* Chinese hip hop begins in Hong Kong and Taiwan.
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